Once a month, with the collaboration of a contemporary photographer, the authors of the Word for Word writing workshop ...
If writing is to translate the world we live in, photograph, cause it's the look on this world or other worlds in the immediacy of an encounter with ourselves and others. And this, in emotion, intelligence and source of creation, because the image starts to affect the share needed to otherness, creating, understanding.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKNce8SSgSe9DS_T9fjrjd32dhfxey-ymN7vKdirX-zBqJgF9E5o8H2QKj7XzKDl8qTgYKVAPjGGw-jusogqqASX3Az3YhksHUu-I_7SbhFTkcHWQHAi_pYWGtSDoxmyzGH_6M_oCR0VA0/s400/A+(4).jpg)
Amaury is a graduate engineer from Imperial College London and Photographer. Born in France in 1985, he currently lives in London.
"His photographic work raises an unexpected face to face with reality is also" elsewhere ". The strength of his accent Lynchian photos is to capture reality in a fictional dimension in increasing our confrontation with the world offered. taken by a photographer "unprofessional" they are not aestheticized or calculated. No contention-inducing look at one who has captured these images in their violence. They could be called anti-family photos of the real bomb. "
"His photographic work raises an unexpected face to face with reality is also" elsewhere ". The strength of his accent Lynchian photos is to capture reality in a fictional dimension in increasing our confrontation with the world offered. taken by a photographer "unprofessional" they are not aestheticized or calculated. No contention-inducing look at one who has captured these images in their violence. They could be called anti-family photos of the real bomb. "
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